With Hanne Hukkelberg you never know what you get. Just that it’s experimental, cinematic and melodic. Hukkelberg’s music has always been about personal sound. This has given her great artistic freedom to move effortlessly between genres, and her three previous albums are defined by utterly distinct soundscapes: debut Little Things (2005) was eccentric and adventurous, second offering Rykestrasse 68 (2007) warm and lyrical, and third album Blood From A Stone (2009) explored a huge